MARC Record
Leader
001
cgw01:000895569
003
BE-GnUNI
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20250620174410.0
008
210702s2021 xxu|||||o 00| ||eng c
020
a| 9781478021377
q| 9781478021377
035
a| (DE-627)1761837044
035
a| (DE-599)KEP066154537
035
a| (DE-B1597)583410
035
a| (DE-627-1)066154537
040
a| DE-627
b| eng
c| DE-627
e| rda
041
a| eng
044
c| XD-US
050
0
a| N8217.C64
050
0
a| N8217.C64
072
7
a| SOC056000
2| bisacsh
082
0
a| 704.0396
100
1
a| Arabindan-Kesson, Anna
245
1
0
a| Black bodies, white gold :
b| art, cotton, and commerce in the Atlantic World /
c| Anna Arabindan-Kesson.
260
a| Durham :
b| Duke University Press,
c| [2021].
300
a| 320 p.
520
a| Frontmatter -- Contents -- Acknowledgments -- Illustrations -- Introduction -- 1 Circuits of Cotton -- 2 Market Aesthetics -- 3 Of Vision and Value -- 4 Material Histories and Speculative Conditions -- Coda -- Notes -- Bibliography -- Index
520
a| In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor
538
a| Mode of access: Internet via World Wide Web.
546
a| In English
690
a| Katoenhandel.
690
a| Katoenproductie.
690
a| Textielproductie.
690
a| Katoendruk.
690
a| Slavernij.
690
a| Katoenhandel.
650
7
a| Cotton growing
x| History
y| 19th century
z| Atlantic Ocean Region.
2| lcsh
650
7
a| Cotton trade
x| History
y| 19th century
z| Atlantic Ocean Region.
2| lcsh
650
7
a| Slavery
x| History
y| 19th century
z| Atlantic Ocean Region.
2| lcsh
650
7
a| African diaspora in art.
2| lcsh
650
7
a| Cotton in art.
2| lcsh
650
7
a| Slavery in art.
2| lcsh
650
7
a| SOCIAL SCIENCE / Black Studies (Global).
2| z
852
m| BOOK
b| INDUS
c| INDUS
j| INDUS.TEX-361
6| INDUS.2025/
p| 895569-10
f| 04
F| NO LOAN/open shelves
920
a| boek