MARC Record

Leader
001 cgw01:000895697
003 BE-GnUNI
005 20250805204244.0
008 161004s2017 ctua b 001 0 eng d
010
  
  
a| 2016955720
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a| 9780500241516
020
  
  
a| 9780300219296
020
  
  
a| 0300219296
035
  
  
a| 19326171
035
  
  
a| (OCoLC)959803958
040
  
  
a| BTCTA b| eng c| BTCTA e| rda d| YDX d| BDX d| IPL d| OCLCF d| PIT d| TEU d| UKWOH d| SAV d| OAC d| LMR d| WKM d| GZW d| ITD d| VKC d| CHVBK d| OCLCO d| CSJ d| WVU d| MUU d| CGN d| DLC
042
  
  
a| lccopycat
100
1
  
a| Shaw, Paul, d| 1954- 0| (viaf)5177373
245
1
0
a| Revival type : b| digital typefaces inspired by the past / c| Paul Shaw ;oreword by Jonathan Hoefler.
260
  
  
a| London : b| Thames & Hudson, c| 2017.
300
  
  
a| Vii, 247 pages : b| illustrations (some color) ; c| 26 cm.
504
  
  
a| Includes bibliographical references (pages 244-245) and index.
505
0
  
a| Foreword -- Introduction -- Terminology -- Inscriptional letters -- Blackletter -- Venetian oldstyle and aldine types -- French oldstyle types -- Dutch oldstyle types -- Transitional types -- Neoclassical types -- Fat faces -- Slab serifs -- Wood type -- Late Victorian types -- 20th century seriffed types -- Grotesques and gothics -- Geometric sans serifs -- Humanist sans serifs -- Scripts.
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a| In this fascinating tour through typographic history, Paul Shaw provides a visually rich exploration of digital type revival. Many typefaces from the pre-digital past have been reinvented for use on computers and mobile devices, while other new font designs are revivals of letterforms, drawn from inscriptions, calligraphic manuals, posters, and book jackets. Revival Type deftly introduces these fonts, many of which are widely used, and engagingly tells their stories. Examples include translations of letterforms not previously used as type, direct revivals of metal and wood typefaces, and looser interpretations of older fonts. Among these are variations on classic designs by John Baskerville, Giambattista Bodoni, William Caslon, Firmin Didot, Claude Garamont, Robert Granjon, and Nicolas Jenson, as well as typefaces inspired by less familiar designers, including Richard Austin, Philippe Grandjean, and Eudald Pradell. Updates and revisions of 20th-century classics such as Palatino, Meridien, DIN, Metro, and Neue Haas Grotesk (Helvetica) are also discussed. Handsomely illustrated with annotated examples, archival material depicting classic designs, and full character sets of modern typefaces, Revival Type is an essential introduction for designers and design enthusiasts into the process of reinterpreting historical type.
650
  
7
a| Graphic design (Typography). 2| lcsh
650
  
7
a| Printing v| Specimens. 2| lcsh
650
  
7
a| Technology. 2| eflch
650
  
7
a| Technology. 2| ukslc
650
  
7
a| Type and type-founding v| Specimens. 2| lcsh
650
  
7
a| Type and type-founding x| Digital techniques. 2| fast 0| (OCoLC)fst01159955
650
  
7
a| Type and type-founding x| Digital techniques. 2| lcsh
650
  
7
a| Type and type-founding. 2| fast 0| (OCoLC)fst01159951
650
  
7
a| Type and typefounding x| History. 2| lcsh
655
  
7
a| Specimens. 2| fast 0| (OCoLC)fst01423861
690
  
  
a| Lettervormen.
690
  
  
a| Typografie.
700
1
  
a| Hoefler, Jonathan, 4| aui
852
  
  
m| BOOK b| INDUS c| INDUS j| INDUS.DRUK-484 6| INDUS.2025/ p| 895697-10 f| 04 F| NO LOAN/open shelves
920
  
  
a| boek