MARC Record
Leader
005
20121004161305.0
008
031202s2003 xx r 000 0 eng d
020
a| 1854374559
035
a| SMAK:9644
040
a| SMAK
080
a| 75.038
2| KASK
245
0
a| Bridget Riley.
260
a| London :
b| Tate Publishing London,
c| 2003.
300
a| 244 :
b| geb.
b| kl. ill. ;
c| 30 x 26 cm.
500
a| bibliog. p. 230-233
500
a| biog. p. 221-225, ind. tent., gr.tent. p. 227-229
520
a| Bridget Riley is one of Britain's most celebrated artists, and her career has been distinguished by a series of remarkable innovations. She first attracted critical attention with the dazzling black-and-white paintings she began to make in 1961. Her participation in the seminal exhibition The Responsive Eye at the Museum of Modern Art, New York, in 1965 and her triumph at the Venice Biennale in 1968 - when she became the first living British painter to win the International Prize for painting - established her as an artist of the first rank.
520
a| Bridget Riley surveys the artist's entire career and includes key examples of all phases of her work. It offers the opportunity both to review many early, celebrated paintings and to see these afresh in the context of recent works in which light, colour, movement and space are drawn into fresh and unexpected relationships. Numerous preparatory working studies are reproduced to illuminate the artist's complex and fascinating working processes.
520
a| Essays from Paul Moorhouse, Richard Shiff and Robert Kudielka provide an overview of her art and career, along with new insights into the relation of Riley's work to theories of aesthetics and perception.
520
a| Since then she has remained at the forefront of developments in contemporary painting. Her highly distinctive paintings, with their dynamic interplay of form and colour, create an arresting range of visual sensations : from an impression of light in all its chromatic variety and intensity, to a sense of subtle and sometimes vibrant movement. By turns lyrical, powerful and serene, her work is underpinned by her adherence to the French nineteenth-century master Eugène Delacroix's observation : 'the first duty of a painting is to be a feast for the eye'.
546
a| Engels
500
a| Exhibition. Bridget Riley (1). Tate Britain London. 2003-06-26. 2003-09-28
600
1
4
a| Riley, Bridget
710
1
0
a| Tate Britain
c| London
700
1
a| Deuchar, Stephen
700
1
a| Kudielka, Robert
700
1
a| Lady, Hollick
700
1
a| Moorhouse, Paul
700
1
a| Riley, Bridget
700
1
a| Shiff, Richard
920
a| boek
852
4
b| KASK
c| KUB
j| 75.038 / RILEY B. / 2003
p| 000050538011
001
smk01:000444083
500
a| boek