The cinema of Alexander Sokurov : figures of paradox - Szaniawski, Jeremi (London ; New York : Wallflower Press, 2014)
Introduction: the fragment and the infinite, or the hypothesis of the third term in the cinema of Alexander Sokurov -- Lonely voice of man: singular murmurs, multiple echoes -- Mournful insensitivity: the Apolcalypse of the modern -- Days of the eclipse: 'Adieu, Babylone': Adieu, Tarkovsky -- Save and protect: of angels and flies -- The second circle: winter, light, and the intimate sublime -- The stone: no way home -- Whispering pages: death, nothingness, memory -- Mother and son: time abolished, time transfigured -- Moloch: Adi (and Eve): fear eats the soul -- Taurus: 'Father, where art thou?' -- Russian ark: imperial elegy -- Father and son: beyond absolute intimacy -- The sun: iconoclastic humanism -- Alexandra: the return to Neverwas and the ambiguity of romance -- Faust: Sokurov waltz.
Includes filmography (pages 316-322).
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Keywords: Sokurov, Aleksandr