a| 9789492700284

a| HG

a| 771.01 2| KASK

a| Embodied cognition and cinema / c| Maarten Coëgnarts and Peter Kravanja (eds).

a| Leuven : b| Leuven University Press, c| 2015.

a| 381 p.

a| - FOREWORD / Mark Johnson##- ACKNOWLEDGEMENTS ##- FILM AS AN EXEMPLAR OF BODILY MEANING-MAKING / Maarten Coëgnarts and Peter Kravanja##- PART I FILM FORM AND EMBODIED COGNITION##- FILM NARRATIVE AND EMBODIED COGNITION: THE IMPACT OF IMAGE SCHEMAS ON NARRATIVE FORM/ Miklós Kiss##- EMBODIED VISUAL MEANING IN FILM/ Maarten Coëgnarts and Peter Kravanja##- FILM MUSIC AS EMBODIMENT/ Juan Chattah##- PART II CINEMATIC EMPATHY: ON EMBODIED SIMULATION MECHANISMS AND THE VIEWER##- THE FLOATING WORLD: FILM NARRATIVE AND VIEWER DIAKRISIS/ Hannah Chapelle Wojciehowski##- MODES OF ACTION AT THE MOVIES, OR RE-THINKING FILM STYLE FROM THE EMBODIED PERSPECTIVE / Michele Guerra##- ART IN NOISE: AN EMBODIED SIMULATION ACCOUNT OF CINEMATIC SOUND DESIGN / Mark S. Ward##- THE CHARACTER’S BODY AND THE VIEWER: CINEMATIC EMPATHY AND EMBODIED SIMULATION IN THE FILM EXPERIENCE/ Adriano D’Aloia##- PART III FROM EMBODIED MEANING TO ABSTRACT THOUGHT ##- FILMS AND EMBODIED METAPHORS OF EMOTION/ María J. Ortiz##- EMBODIED CINEMATIC SUBJECTIVITY: METAPHORICAL AND METONYMICAL MODES OF CHARACTER PERCEPTION IN FILM/ Maarten Coëgnarts and Peter Kravanja##- ON THE EMBODIMENT OF TEMPORAL MEANING IN CINEMA: PERCEIVING TIME THROUGH THE CHARACTER’S EYES/ Maarten Coëgnarts and Peter Kravanja##- EMBODIED ETHICS AND CINEMA: MORAL ATTITUDES FACILITATED BY CHARACTER PERCEPTION / Maarten Coëgnarts and Peter Kravanja##- COGNITIVE SEMIOTICS REVISITED: REFRAMING THE FRAME/ Warren Buckland

a| Film : theorie, esthetica, kritiek

a| Coëgnarts, Maarten

a| Kravanja, Peter

a| boek

b| KASK c| KUB j| 771.01 COEG 2015 p| 000050588704

a| boek