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MARC Record

Leader
001 1846
008 220816s1755 |||||le| |||| 00| 0 eng d
041
  
  
a| eng
059
  
  
a| 4vn 2vla vc bc
100
  
  
a| Avison, Charles d| 1709-1770 4| cmp 1| http://www.wikidata.org/entity/Q1063634 9| 4775
240
  
  
a| op. 4
245
  
  
a| Eight Concertos in Seven Parts
260
  
  
a| London b| Johnson c| 1755
300
  
  
a| Instrumental parts (29+21+21+17+16+14+17+25 pages)
500
  
  
a| Charles Avison (1709-1770) was an English composer and church organist at St John The Baptist Church in Newcastle and at St. Nicholas's Church (later Newcastle Cathedral). He is most known for his 12 Concerti Grossi after Scarlatti and his 'Essay on Musical Expression', the first music criticism published in English. He composed in a transitional style that alternated between Baroque and Classical idioms.
500
  
  
a| the viola part has a handwritten copy in ink
648
  
0
a| 18th Century (1701-1800) 1| http://www.wikidata.org/entity/Q7015 9| 20899
650
  
0
a| Concerto grosso 1| http://www.wikidata.org/entity/Q210216 9| 22221
651
  
0
a| London (United Kingdom) 1| http://www.wikidata.org/entity/Q84 9| 123
856
  
  
u| https://imslp.org/wiki/An_Essay_on_Musical_Expression_(Avison%2C_Charles) 3| International Music Score Library Project
942
  
  
c| SCO
920
  
  
a| partituur
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C2.34 08C09a
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C2.34 08C09b
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C2.34 08C09c
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C2.34 08C09d
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C2.34 08C09e
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C2.34 08C09f
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C2.34 08C09g
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C2.34 08C09h
999
  
  
d| 1846
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