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MARC Record

Leader
001 3027
008 210531s1643 ga||| |||| 00| 0 ger d
041
  
  
a| ger
100
  
  
a| Harsdörffer, Georg Philipp d| 1607-1658 4| aut 1| http://www.wikidata.org/entity/Q66605 9| 7319
245
  
  
a| Gesprachspiele, b| so bey Ehrn- und Tugendliebenden Gesellschaften aufzuüben n| vol. 3
260
  
  
a| Nuremberg b| Endter c| 1643
300
  
  
a| [xvii]-472-[48] pages b| music examples, illustrations c| 9x14 cm, oblong
500
  
  
a| Contains plates (title-page, Erklärung, biv, 2, 20, 21, 156, 157, 159, 160, 162-164, 166, 167, 169-175, 185, 192, 200, 204, 212, 233, 241, 248, 251, 264, 266, 268, 346, 350, 353, and last page) and music
500
  
  
a| Some notes in German handwriting in inner cover
500
  
  
a| Influenced by the French ideal of the "honnête homme", the "informed and socially polished type of man", in his "Frauenzimmer Gesprächspielen" the Nuremberg native takes his cue not least from the model and content of the public "Conférences" in Paris - the kind of informal gathering in which representatives of fiction and the education-hungry middle class, but no less so representatives of the natural sciences, debate "all the fine matters of physics, morals, mathematics and other disciplines". Because they combine "information and narration" in a variety of ways, combine "knowledge and intellectual pleasure", take the "delectare" of the ancient and humanistic dual purpose of literature alongside the "prodesse" really seriously, one rightly sees a "conversational aesthetic of 'impromptu'" at work in the layout of the "Gesprächspiele". These mind games of intellectual sociability were also part of the Italian Academies (such as the "Intronati", "Incogniti" and "Oziosi") Harsdörffer got in contact with during his Italian travels. Subjects of all kind are discussed in the form of a free conversation in which six persons, of both sexes and different ages, take part.
500
  
  
a| Subjects of all kind are discussed in the guise of a free conversation in which six persons, of both sexes and different ages, take part. A great number of fine copperplates, some emblematic, others taken from contemporary life, illustrate the text, so that the work has become a treasure house for literary research.
500
  
  
a| Conversation CXXX (p.170-242) seems to be a musical drama entitled 'Von der Welt Eitelkeit', offering information on libretto, cast, stagesets, music (instrumentation, score) & lighting. As the opera (allegorical shepherd's play) 'Seelewig' is found in the fourth volume on a libretto by Harsdörffer himself, and music composed by Sigmund Theophil Staden (1607-1655), this could probably be by the same team.
500
  
  
a| Front plate (double paged) represents the company of six persons (a quartet and a duo) walking in a courtyard of a beautiful villa under a starry night sky, far from the world, as they turn to erudite, entertaining, perceptive conversation.
534
  
  
a| The 8 volumes of "(Frauenzimmer) Gesprachspiele" were published periodically (1643-1649), though not at regular intervals, and may thus be regarded as the forerunner of a literary magazine. Beginning with vol. 3 the word 'Frauenzimmer' is omitted, presumably in order not to frighten away male readers.
561
  
  
a| Ex libris N. Ferber Hamburg 1876 (manuscript) and Dr. Med. Ferber 1882 (plate)
590
  
  
a| Samt einer Zugabe genant: Melisa. Verfasset durch einen Mitgenossen der hochlöblichen Fruchtbringenden Geselschaft
648
  
0
a| 17th Century (1601-1700) 1| http://www.wikidata.org/entity/Q7016 9| 20923
650
  
0
a| Poetry 1| http://www.wikidata.org/entity/Q482 9| 3026
650
  
0
a| Emblem 1| http://www.wikidata.org/entity/Q112110 9| 3250
650
  
0
a| Play (theater) 1| http://www.wikidata.org/entity/Q25379 9| 21414
650
  
0
a| Linguistics 1| http://www.wikidata.org/entity/Q8162 9| 3902
650
  
0
a| Philosophy 1| http://www.wikidata.org/entity/Q5891 9| 2357
650
  
0
a| Esthetics 1| http://www.wikidata.org/entity/Q35986 9| 21494
650
  
0
a| Scenography 1| http://www.wikidata.org/entity/Q737201 9| 21278
650
  
0
a| Mythology 1| http://www.wikidata.org/entity/Q9134 9| 21600
650
  
0
a| Applied arts 1| http://www.wikidata.org/entity/Q2865882 9| 21627
650
  
0
a| Moral education 1| http://www.wikidata.org/entity/Q25457248 9| 3171
650
  
0
a| Rhetoric 1| http://www.wikidata.org/entity/Q81009 9| 3894
651
  
0
a| Nuremberg (Germany) 1| http://www.wikidata.org/entity/Q2090 9| 21596
653
  
0
a| ad lib. bezetting 3| 180 0| 20136481 w| 05B47 9| 28471
653
  
0
a| bibliotheek 3| 454 0| 20136481 w| 05B47 9| 29548
653
  
0
a| Balzac 3| 363 0| 20136481 w| 05B47 9| 29056
653
  
0
a| Opitz, M. 3| 307, 308, 440 0| 20136481 w| 05B47 9| 35443
653
  
0
a| orgel 3| 294 0| 20136481 w| 05B47 9| 35465
653
  
0
a| orgelbc 3| 180 0| 20136481 w| 05B47 9| 35537
653
  
0
a| dansen 3| 252 0| 20136481 w| 05B47 9| 30928
653
  
0
a| echoeffekt 3| register: Wiederhall 0| 20136481 w| 05B47 9| 31377
653
  
0
a| tabak 3| 252 0| 20136481 w| 05B47 9| 36718
653
  
0
a| geigenwerk 3| 180 0| 20136481 w| 05B47 9| 32084
653
  
0
a| trompet 3| 251, 287, 6 blz. voor einde, register: Ehrgeitz & Trompeter 0| 20136481 w| 05B47 9| 37194
653
  
0
a| wijn 3| 453 0| 20136481 w| 05B47 9| 37961
653
  
0
a| luit 3| 180, 369 0| 20136481 w| 05B47 9| 34262
653
  
0
a| luit bc 3| 180 0| 20136481 w| 05B47 9| 34263
653
  
0
a| mise-en-scène 3| tp, 174-252 0| 20136481 w| 05B47 9| 39272
653
  
0
a| Mersenne 3| 255 0| 20136481 w| 05B47 9| 34691
653
  
0
a| muziek 3| 171, 173, 178-242, 254, 255, 294, 309, 369, 448 0| 20136481 w| 05B47 9| 34990
653
  
  
a| cabalistiek 3| 332-334 9| 30095 0| 20136481 w| 05B47
653
  
  
a| Lope de Vega 3| 363 9| 34208 0| 20136481 w| 05B47
653
  
  
a| lyra 3| 188 9| 34305 0| 20136481 w| 05B47
653
  
  
a| Schurman, Anna Maria 3| Biii 9| 38998 0| 20136481 w| 05B47
653
  
  
a| Staden, H. 3| componist 178 e.v.? 9| 36475 0| 20136481 w| 05B47
942
  
  
c| BOO
920
  
  
a| boek
852
  
  
b| ORPH c| ORPH j| ORPH.KTS1 C1.03 05B47
999
  
  
d| 3027
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