J. S. Bach as Organist: His Instruments, Music, and Performance Practices - Stauffer, George B. 1947-; Saunders, Russell 1921-1992 (London Batsford, 1986)
Why an acqaintance with early organs is essential for playing Bach / M. C. Alain -- The "Great Eighteen" chorales: Bach's revisional process and the Genesis of the work / W. Breig -- Bach's influence on late twentieth-century american organ building / J. Brombaugh -- Organs played and tested by J. S. Bach / U. Dähnert -- The metaphorical soloists: concerted organ parts in Bach's cantatas / L. Dreyfus -- Bach organs in Thuringia / H. Haupt -- French influence in Bach's organ works / V. Horn -- Bach's free organ works and the Stylus Phantasticus / F. Krummacher -- Organ or "Klavier"? Instrumental prescriptions in the sources of Bach's keyboard works / R. L. Marshall -- The types, uses, and historical position of Bach's organ chorales / E. May -- Bach's organ registration reconsidered / G. B. Stauffer -- Fugue types in Bach's free organ works / G. B. Stauffer -- Bach's organ transcription of Vivaldi's "Grosso Mogul" concerto / L. F. Tagliavini -- North German organ building of the late seventeenth century: registration and tuning / H. Vogel -- The snares and delusions of notation: Bach's early organ works / P. Williams -- Bach's personal copy of the Schübler chorales / C. Wolff -- Johann Adam Reinken and Johann Sebastian Bach: on the context of Bach's early works / C. Wolff
Keywords: Bach, Johann Sebastian -- 1685-1750; Vivaldi, Antonio -- 1678-1741; Reincken, Johann Adam -- 1623-1722; 17th Century (1601-1700); 18th Century (1701-1800); Organist; Organology; Legacy; Cantata; Organ; Obbligato; Influence; Stylus phantasticus; Keyboard instrument; Chorale; Organ registration; Concerto; Arrangement; Tuning; Temperament; Germany; Thuringia (Germany); USA; France