Festival Essays for Pauline Alderman: A Musicological Tribute - Alderman, Pauline 1893-1983; Karson, Burton L. (Provo, UT Brigham Young University Press, 1976)
Mathiesen, T.J. Problems of terminology in ancient Greek theory: APMONIA.--Wingell, R.J. Hucbald of St. Amans and Carolingian music theory--Hultberg, W.E. Diego Pisador's Libro de musica de vihuela (1552)--Tagmann, P.M. The palace church of Santa Barbara in Mantua, and Monteverdi's relationship to its liturgy.--Russell, E. The villancicos in Pedro Rimonte's Parnaso español (1614)--Gillespie, J. Vocally inspired keyboard music.--Catalyne, A.R. Manuel de Zumaya (ca. 1678-1751): Mexican composer for church and theater.--Hsu, D.M. Barthold Feind's Gedancken von der Oper: an early eighteenth-century view of drama and music.--Barnes, C.R. An eighteenth century Parisian Turandot.--Hollis, G.T. The dedications to Algarotti's Saggio sopra l'opera in musica (1754, 1762)--Chusid, M. Goldoni's La putta onorata: some parallels with Beaumarchais' Le marriage de Figaro.--Levarie, S. and Levy, E. Opera.--Termini, O. Five settings of Goethe's Mailied in relation to his concept of the German Lied.--Westrup, J. Some settings of Heine.--Wilcox, G.C. E.T. Pound and unorthodox music notation.--Riedel, J. Henry Russell's American experience.--Pisk, P.A. Dreams of death and life: a study of two songs by Johannes Brahms.--Clarke, H.L. The habitat of homing melody.--Milliman, J. This ae nighte: theme and variations on the Lyke-wake dirge.--Stevens, H. The baroque and composers of the 20th century.--Watanabe, R. The musicologist in the research library.
Includes bibliographical references.
Keywords: Monteverdi, Claudio -- 1567-1643; Feind, Barthold -- 1678-1721; Algarotti, Francesco -- 1712-1764; Goldoni, Carlo -- 1707-1793; Beaumarchais, Pierre-Augustin Caron de -- 1732-1799; Goethe, Johann Wolfgang von -- 1749-1832; Heine, Heinrich -- 1797-1856; Basilica Palatina di Santa Barbara (Mantua, Italy); Classical Antiquity (8th Century BC-6th Century AD); 16th Century (1501-1600); 17th Century (1601-1700); 18th Century (1701-1800); 19th Century (1801-1900); 20th Century (1901-2000); Music history; Music theory; Vihuela; Villancico; Baroque; Song; Spain