a| 0945193297 : c| $48.00

a| OI

a| eng

4| dte a| Palisca, Claude V. d| 1921-2001 1| http://www.wikidata.org/entity/Q3313135 9| 13150

a| Musical Humanism and its Legacy: b| Essays in honor of Claude V. Palisca

a| Stuyvesant, NY b| Pendragon c| 1992

a| xi-543 pages b| illustrations c| 24 cm

a| Festschrift Series v| 11

a| Includes bibliographical references.

g| Hermes or Clio? The Transmission of Ancient Greek Music Theory / T. J. Mathiesen (3) -- Thimotheus at Sparta: The Nature of the Crima / M. Maas (37) -- Eriugena, Boethius and the Neoplatonism of Musica and Scolica enchiriadis / R. Erickson (53) -- Bottrigari Versus Sigonio: On Vicentino and His Ancient Music Adapted to Modern Practice / M. R. Maniates (79) -- The Self as a Taut String: Hobbes and Stoic Naturalism / J. C. Kassler (109) -- Sixteenth-Century Croatian Writers on Music: A Bridge Between East and West / S. Tuksar (129) -- Monteverdi's Three Genera: A Study in Terminology / B. Russano Hanning (145) -- Artusi, Monteverdi, and the Poetics of Modern Music / T. Carter (171) -- The Seconda pratica, or The Imperfections of the Composer's Voice / C. S. Brauner (195) -- Why Clemens non Papa Did Not Need a Secret Chromatic Art / E. S. Beebe (213) -- Text and Music in Rore's Madrigal Anchor che col partire / L. Lockwood (243) -- Text and Tone in Hassler's German Songs and Their Sacred Parodies / K. J. Snyder (253) -- Carissimi's Oratorios in Search of a Genre / B. C. Cannon (279) -- Rameau and the Comédie / R. P. Wolf (297) -- Poetry and Music: Two Episodes in a Durable Relationship / L. Plantinga (321) -- Gerade das Lied wie er dasteht: On Text and Meaning in Mendelssohn's Lieder ohne Worte / R. L. Todd (355) -- Patterns of Recapitulation in the First Movements of Mozart's Piano Concertos / J. R. Stevens (397) -- Mega-Text, Mega-Music: A Crucial Dilemma for German Romantic Opera / A. S. Garlington (381) -- An Ars Poetica for Music: Reicha's System of Syntax and Structure / N. Kovaleff Baker (419) -- Narrative and Lyric: Fundamental Poetic Forms of Composition / K. Berger (451) -- Generative Processes in a Debussy Prelude / A. Forte (471) -- Alban Berg's Four Songs, Op. 2: A Tribute to Schoenberg / B. R. Simms (487)

a| Boethius d| 480-524 1| http://www.wikidata.org/entity/Q102851 9| 5706

a| Rore, Cipriano de d| 1515/16-1565 1| http://www.wikidata.org/entity/Q316074 9| 18024

a| Monteverdi, Claudio d| 1567-1643 1| http://www.wikidata.org/entity/Q53068 9| 10794

a| Carissimi, Giacomo d| 1605-1674 1| http://www.wikidata.org/entity/Q312686 9| 10544

a| Rameau, Jean-Philippe d| 1683-1764 1| http://www.wikidata.org/entity/Q1145 9| 4787

a| Mozart, Wolfgang Amadeus d| 1756-1791 1| http://www.wikidata.org/entity/Q254 9| 5341

a| Mendelssohn-Bartholdy, Felix d| 1809-1847 1| http://www.wikidata.org/entity/Q46096 9| 4998

a| Berg, Alban d| 1885-1935 1| http://www.wikidata.org/entity/Q78475 9| 15987

a| Past 1| http://www.wikidata.org/entity/Q192630 9| 22196

a| Music philosophy and esthetics 1| http://www.wikidata.org/entity/Q2092865 9| 21165

a| Music theory 1| http://www.wikidata.org/entity/Q193544 9| 2662

a| Europe 1| http://www.wikidata.org/entity/Q46 9| 91

a| Baker, Nancy Kovaleff d| -1948 4| edt 9| 14846

a| Hanning, Barbara Russano d| 1940- 4| edt 9| 14847

c| BOO

a| boek

b| ORPH c| ORPH j| ORPH.REF4 PALI

d| 12245