a| 9789042922891

a| eng

a| Beethoven's Tempest Sonata: b| Perspectives of Analysis and Performance

a| Leuven b| Peeters c| 2009

a| x-341 pages

a| Leuven Studies in Musicology v| 2

a| Includes general bibliography and index of names and compositions

g| To Play Or Not to Play: Motivic Connections in teh First Movement of Beethoven's Tempest Sonata / Pieter Bergé & Jeroen D'Hoe -- Singularities and Extremes: Dramatic Impulse in the First Movement of Beethoven's Tempest Sonata / Scott Burnham -- Beethoven's Tempest Sonata: A Schenkerian Approach / Poundie Burstein -- Beethoven's Tempest Exposition: A Springboard for Form-Functional Considerations / William E. Caplin -- Beethoven's Tempest Sonata in Performance / Kenneth Hamilton -- Interpreting Beethoven's Tempest Sonata through Topics, gestures, and Agency / Robert Hatten -- Approaching the First Movement of Beethoven's Tempest Sonata through Sonata Theory / James Hepokoski -- The First Movement of Beethoven's Tempest Sonata: Genesis, Form, and Dramatic Meaning / William Kinderman -- Riding the Storm Clouds: Tempo, Rhythm, and Meter in Beethoven's Tempest Sonata / William Rothstein -- Narrativity and the Performance of Beethoven's Tempest Sonata / Douglass Seaton -- The First Movement of Beethoven's Tempest Sonata and the Tradition of Twentieth-Century 'Formenlehre' / Steven Vande Moortele

a| For music analysts and performers alike, Beethoven's Tempest sonata (1802) represents one of the most challenging pieces of the classical and early romantic piano repertoire. This book is a collection of eleven essays, each dealing with this sonata from a different analytical perspective and investigating the possible connections between music analysis and the practice of performance. Under the editorship of Pieter Bergé, Jeroen D'hoe and William E. Caplin, the book presents essays by Scott Burnham (hermeneutics), Poundie Burstein (Schenkerian approach), Kenneth Hamilton (history of performance), Robert Hatten (semiotics), James Hepokoski (Sonata Theory), William Kinderman (source studies), William Rothstein (tempo, rhythm, and meter), Douglas Seaton (narratology), Steven Vande Moortele (20th-century Formenlehre) and the editors themselves (motivic analysis and form-functional approach respectively).

a| Beethoven, Ludwig van d| 1770-1827 1| http://www.wikidata.org/entity/Q255 9| 5335

a| 19th Century (1801-1900) 1| http://www.wikidata.org/entity/Q6955 9| 20935

a| Keyboard music 1| http://www.wikidata.org/entity/Q105715630 9| 21412

a| Sonata 1| http://www.wikidata.org/entity/Q131269 9| 21653

a| Musical analysis 1| http://www.wikidata.org/entity/Q1544924 9| 2775

a| Musical interpretation 1| http://www.wikidata.org/entity/Q1668139 9| 4533

a| Vienna (Austria) 1| http://www.wikidata.org/entity/Q1741 9| 20937

a| Bergé, Pieter 4| edt 9| 15991

a| D'hoe, Jeroen 4| edt 9| 16228

a| Caplin, William E. d| -1948 4| edt 1| http://www.wikidata.org/entity/Q8006531 9| 16229

c| BOO

a| boek

b| ORPH c| ORPH j| ORPH.BIO BEET e

d| 14252