MARC Record
Leader
001
14486
005
20250120120256.0
008
131014s2004 0 eng
020
a| 9780754634607
041
a| eng
100
4| aut
a| Avison, Charles
d| 1709-1770
1| http://www.wikidata.org/entity/Q1063634
9| 4775
245
a| Charles Avison's Essay on Musical Expression
260
a| Burlington
b| Ashgate Publishing
c| 2004
300
a| 222 pages
520
a| Charles Avison's Essay on musical Expression, first published in 1752, is a major contribution to the debate on musical aesthetics which developed in the course of the 18th century. Considered by Charles Burney as the first essay devoted to 'musical criticism' proper, it established the primary importance of 'expression' and reconsidered the relative importance of harmony and melody. Immediately after its publication it was followed by William Hayes's Remarks (1753), to which Avison himself retorted in his Reply. Taken together these three texts offer a fascinating insight into the debate that raged in the 18th century between the promoters of the so-called 'ancient music' (such as Hayes) and the more 'modern' musicians. Beyond matters of taste, what was at stake in Avison's theoretical contribution was the assertion that the individual's response to music ultimately mattered more than the dry rules established by professional musicians. Avison also wrote several prefaces to the published editions of his own musical compositions. This volume reprints these prefaces and advertisements together with his Essay to provide an interesting view of eighteenth-century conceptions of composition and performance, and a complete survey of Avison's theory of music.
650
0
a| Philosophy
1| http://www.wikidata.org/entity/Q5891
9| 2357
700
4| aut
a| Hayes, William
d| 1708-1777
1| http://www.wikidata.org/entity/Q2579157
9| 21069
700
4| edt
a| Dubois, Pierre
9| 16485
942
c| BOO
920
a| boek
852
b| ORPH
c| ORPH
j| ORPH.TRE AVIS
999
c| 14486
d| 14486
650
0
a| Music criticism
1| http://www.wikidata.org/entity/Q11748889
9| 21598