MARC Record
Leader
001
15227
005
20250120120256.0
008
160422r20101775 0 eng
020
a| 9781170785829
041
a| eng
100
a| Avison, Charles
d| 1709-1770
4| aut
1| http://www.wikidata.org/entity/Q1063634
9| 4775
245
a| An Essay on Musical Expression
260
b| Gale ECCO
c| 2010
300
a| 242 pages
520
a| The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
590
a| An essay on musical expression. By Charles Avison. To which is added, a letter to the author, concerning the music of the ancients, Likewise, Mr. Avison's reply to the author of remarks on the essay on musical expression
650
0
a| Philosophy
1| http://www.wikidata.org/entity/Q5891
9| 2357
942
c| BOO
920
a| boek
852
b| ORPH
c| ORPH
j| ORPH.TRE AVIS
999
c| 15227
d| 15227
650
0
a| Music criticism
1| http://www.wikidata.org/entity/Q11748889
9| 21598