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MARC Record

Leader
001 15227
005 20250120120256.0
008 160422r20101775 0 eng
020
  
  
a| 9781170785829
041
  
  
a| eng
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a| Avison, Charles d| 1709-1770 4| aut 1| http://www.wikidata.org/entity/Q1063634 9| 4775
245
  
  
a| An Essay on Musical Expression
260
  
  
b| Gale ECCO c| 2010
300
  
  
a| 242 pages
520
  
  
a| The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
590
  
  
a| An essay on musical expression. By Charles Avison. To which is added, a letter to the author, concerning the music of the ancients, Likewise, Mr. Avison's reply to the author of remarks on the essay on musical expression
650
  
0
a| Philosophy 1| http://www.wikidata.org/entity/Q5891 9| 2357
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c| BOO
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a| boek
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b| ORPH c| ORPH j| ORPH.TRE AVIS
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c| 15227 d| 15227
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0
a| Music criticism 1| http://www.wikidata.org/entity/Q11748889 9| 21598
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