MARC Record
Leader
    
        
          001
        
        
          15500
        
      
    
        
          003
        
        
          OSt
        
      
    
        
          005
        
        
          20230123102407.0
        
      
    
        
          008
        
        
          170602s2017                      0 e
        
      
    
        
          020
        
        
                    
        
                    
      
      
        a| 9780520279360
      
    
        
          040
        
        
                    
        
                    
      
      
        c| ST
      
    
        
          041
        
        
                    
        
                    
      
      
        a| eng
      
    
        
          100
        
        
                    
        
                    
      
      
        a| Brodsky, Seth
        4| aut
        9| 17430
      
    
        
          245
        
        
                    
        
                    
      
      
        a| From 1989 or European music and the modernist unconscious
      
    
        
          260
        
        
                    
        
                    
      
      
        a| Oakland, California
        b| University of California Press
        c| 2017
      
    
        
          300
        
        
                    
        
                    
      
      
        a| 344 pages
      
    
        
          520
        
        
                    
        
                    
      
      
        a| What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing Joy to Freedom in Beethovens Ninth; or David Hasselhoff lip-synching Looking for Freedom to thousands on New Years Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come.
      
    
        
          942
        
        
                    
        
                    
      
      
        c| BOO
        2| ddc
      
    
        
          920
        
        
                    
        
                    
      
      
        a| boek
      
    
        
          852
        
        
                    
        
                    
      
      
        b| ORPH
        c| ORPH
        j| ORPH.GHM 7
      
    
        
          999
        
        
                    
        
                    
      
      
        c| 15500
        d| 15500