a| eng

a| Page, Christopher d| 1952- 4| aut 1| http://www.wikidata.org/entity/Q3675871 9| 15727

a| Latin poetry and conductus rhythm in medieval France

a| London b| Royal music association c| 1997

a| ix-76 pages

a| Royal Musical Association Monographs v| 8

a| Conductus repertory of the twelfth and thirteenth centuries comes under re-investigation in this study. Christopher Page seeks to revise certain opinions about medieval Latin poetry which some exponents of modal theory have entertained. The book develops a view that spoken performances and sung performances of this repertory had their own distinct traditions, and that the most acceptable method of transcription for many conducti is a rhythmically neutral one which signals the wide range of possible rhythmic solutions to performance of these songs.

a| Middle Ages (500-1400) 1| http://www.wikidata.org/entity/Q12554 9| 20964

a| Poetry 1| http://www.wikidata.org/entity/Q482 9| 3026

a| Music history 1| http://www.wikidata.org/entity/Q846047 9| 21373

a| Music performance technique 1| http://www.wikidata.org/entity/Q6942574 9| 39646

a| Song 1| http://www.wikidata.org/entity/Q7366 9| 4164

a| Catholicism 1| http://www.wikidata.org/entity/Q1841 9| 21631

a| Latin 1| http://www.wikidata.org/entity/Q397 9| 3992

a| France 1| http://www.wikidata.org/entity/Q142 9| 131

c| BOO

a| boek

b| ORPH c| ORPH j| ORPH.TOP FR 3

d| 16653