MARC Record
Leader
001
18404
005
20230123104945.0
008
200630s2011 0 e
020
a| 9781108038638
041
a| eng
100
a| Gurney, Edmund
4| aut
9| 19727
245
a| The power of sound
260
a| New York
b| Cambridge University Press
c| 2011
300
a| 559 pages
520
a| Edmund Gurney (184788) is today best known for his work on psychical research, but from a young age he harboured the ambition to be a composer and performer. Frustrated in this aim, he began writing on the philosophy and psychology of music. This work of 1880 was an attempt to apply a strictly scientific method of enquiry to music, and it is regarded as one of the most important and original treatises from the nineteenth century on musical aesthetics. Gurney discusses the sensations of pleasure and pain in relation to the senses, and goes on to examine how the listener differentiates between 'noises' and 'tones'. He explores whether there is an elemental difference between a 'good' and a 'bad' melody, the ultimate futility of the critic trying to describe music, and the 'moral' conclusion to be drawn from a preference for the music of Rossini over that of Beethoven.
942
c| BOO
2| ddc
920
a| boek
852
b| ORPH
c| ORPH
j| ORPH.AES GURN
999
c| 18404
d| 18404