MARC Record
Leader
    
        
          001
        
        
          19192
        
      
    
        
          005
        
        
          20250120120537.0
        
      
    
        
          008
        
        
          150707s1999                      0 eng
        
      
    
        
          020
        
        
                    
        
                    
      
      
        a| 0262032651
      
    
        
          041
        
        
                    
        
                    
      
      
        a| eng
      
    
        
          100
        
        
                    
        
                    
      
      
        a| Crary, Jonathan
        4| aut
        1| http://www.wikidata.org/entity/Q6272840
        9| 20345
      
    
        
          245
        
        
                    
        
                    
      
      
        a| Suspensions of Perception:
        b| Attention, Spectacle, and Modern Culture
      
    
        
          260
        
        
                    
        
                    
      
      
        a| Cambridge, MA
        b| MIT Press
        c| 1999
      
    
        
          490
        
        
                    
        
                    
      
      
        a| October Books
      
    
        
          520
        
        
                    
        
                    
      
      
        a| "Suspensions of Perception" is a major historical study of human attention and its volatile role in modern Western culture. It argues that the ways in which we intently look at or listen to anything result from crucial changes in the nature of perception that can be traced back to the second half of the 19th century. Focusing on the period from about 1880 to 1905, Jonathan Crary examines the connections between the modernization of subjectivity and the dramatic expansion and industrialization of visual/auditory culture. At the core of his project is the paradoxical nature of modern attention, which was both a fundamental condition of individual freedom, creativity and experience and a central element in the efficient functioning of economic and disciplinary institution, as well as the emerging space of mass consumption and spectacle. Crary approaches these issues through multiple analyses of single works by three key modernist painters - Manet, Seurat and Cezanne - who each engaged in a singular confrontation with the disruptions, vacancies and rifts within a perceptual field. Each in his own way discovered that sustained attentiveness, rather than fixing or securing the world, led to perceptual disintegration and loss of presence, and each used this discovery as the basis for a reinvention of representational practices. "Suspensions of Perception" decisively relocates the problems of aesthetic contemplation within a broader collective encounter with the unstable nature of perception - in psychology, philosophy, neurology, early cinema and photography. In doing so, it provides an historical framework for understanding the current social crisis of attention amid the accelerating metamorphoses of our contemporary technological culture.
      
    
        
          600
        
        
                    
        
      
          0        
      
        a| Manet, Édouard
        d| 1832-1883
        1| http://www.wikidata.org/entity/Q40599
        9| 23274
      
    
        
          600
        
        
                    
        
      
          0        
      
        a| Seurat, Georges
        d| 1859-1891
        1| http://www.wikidata.org/entity/Q34013
        9| 23275
      
    
        
          600
        
        
                    
        
      
          0        
      
        a| Cézanne, Paul
        d| 1839-1906
        1| http://www.wikidata.org/entity/Q35548
        9| 22872
      
    
        
          648
        
        
                    
        
      
          0        
      
        a| 19th Century (1801-1900)
        1| http://www.wikidata.org/entity/Q6955
        9| 20935
      
    
        
          650
        
        
                    
        
      
          0        
      
        a| Fine art
        1| http://www.wikidata.org/entity/Q219625
        9| 21579
      
    
        
          650
        
        
                    
        
      
          0        
      
        a| Esthetics
        1| http://www.wikidata.org/entity/Q35986
        9| 21494
      
    
        
          651
        
        
                    
        
      
          0        
      
        a| France
        1| http://www.wikidata.org/entity/Q142
        9| 131
      
    
        
          942
        
        
                    
        
                    
      
      
        c| BOO
      
    
        
          920
        
        
                    
        
                    
      
      
        a| boek
      
    
        
          852
        
        
                    
        
                    
      
      
        b| ORPH
        c| ORPH
        j| ORPH.VIS CRAR
      
    
        
          999
        
        
                    
        
                    
      
      
        d| 19192