Siemens-Studio für elektronische Musik - Brün, Herbert 1918-2000; Cage, John 1912-1992; Kagel, Mauricio 1931-2008; Riedl, Josef Anton; Kriwet, Ferdinand 1942-2018; Pörtner, Paul 1925-1984; Schnebel, Dieter 1930-2018; Kelemen, Milko 1924-2018; Tudor, David 1926-1996; Pousseur, Henri 1929-2009 (Germany Siemens Kultur Programm, 1998)
Herbert Brün / Wayfaring Sounds (Klänge Unterwegs), 1961 -- John Cage/Mauricio Kagel / Imaginary Landscape, 1942 -- Mauricio Kagel / Antithese, 1962 -- Josef Anton Riedl / Folge Von 4 Studien, Nr. 59, Nr. 61, Nr. 62/1, Nr. 62/2, Komposition Nr. 3, 1965/67 -- Ferdinand Kriwet / JAJA - Hörtext 2, 1965 -- Paul Pörtner / Schallspielstudie 2, 1965 -- Josef Anton Riedl / Un Chien Andalu, 1959/75, Komposition Nr. 2, 1963/65 -- Dieter Schnebel / Ki-No -- Josef Anton Riedl / Sendezeichen, 1962, Titelmusik, 1962 -- Milko Kelemen / Judith, 1966-- Josef Anton Riedl / Leonce Und Lena, 1963-- John Cage/David Tudor / Klangexperimente, 1963 -- Henri Pousseur / Ziele Und Aussichten Der Elektronischen Musik
The Siemens Studio for Electronic Music is an exhibit in the Deutsches Museum in Munich. It had a considerable influence on the development of electronic music, electroacoustic music within new music, the synthesizer and analogue and digital recording techniques for music.
The Siemens Studio for Electronic Music was the first programmable recording studio in which compositions were made and recorded from 1956 to 1968. Josef Anton Riedl, Pierre Boulez, Henri Pousseur, Mauricio Kagel and Dieter Schnebel, among others, worked there.
CD with compositions from the studio. Includes 20-page booklet in German with a foreword by Pierre Boulez (also printed in French), detailed history and description of the technological possibilities of the early "Studio for Electronic Music" built and run by Siemens since 1956 in Munich and Ulm.
Tracks appear by courtesy of Bayerischer Rundfunk, Norddeutscher Rundfunk, Radio Bremen, C. F. Peters, Musikverlag B. Schott's Söhne, and Edition Modern.
Edited and mastered at Tonstudio Ulrich Krauss, 1994
Keywords: 20th Century (1901-2000); Musique concrète; Electronic music