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MARC Record

Leader
001 21459
008 230330s2009 |||||l|| |||| 00| 0 eng d
024
  
  
a| 9790215316393
041
  
  
a| eng
100
1
  
4| cmp a| Muffat, Gottlieb d| 1690-1770 1| http://www.wikidata.org/entity/Q695396 9| 25982
245
  
  
a| Componimenti musicali (1739): b| for Harpsichord
260
  
  
a| Bologna b| Ut Orpheus c| 2009
300
  
  
a| xviii-145 pages
520
  
  
a| With no affectation or false modesty, Gottlieb Muffat described the 1739 publication of his Componimenti musicali per il cembalo as 'the most beautiful product to be met with in all Germany'. It was patently one of the most lavish and cosmopolitan productions of all 18th-century music printing; with paper of large format and high quality, an extravagant title-page, meticulous and calligraphic engraving, prefaces in several languages and a dedication to the Holy Roman Emperor, Muffat aimed to set it apart from other volumes of keyboard music of this period such as Couperin's Pièces de Clavecin or Bach's Klavierübung, and also from his earlier collection of versetts and toccatas aimed at the professional church musician (72 Versetl sammt 12 Toccaten, Vienna, 1726). The Componimenti represent a polished selection from his secular keyboard music and the publication was directed at the royal household. His title-page proudly announces that he was not only Organista di Corte e Camera (i.e. in public and private) to the Emperor, but also Maestro di Cembalo to the two arch-duchesses, Maria Theresa and her sister Maria Anna.
648
  
0
a| 18th Century (1701-1800) 1| http://www.wikidata.org/entity/Q7015 9| 20899
650
  
0
a| Keyboard music 1| http://www.wikidata.org/entity/Q105715630 9| 21412
650
  
0
a| Harpsichord 1| http://www.wikidata.org/entity/Q81982 9| 2125
700
  
  
4| edt 4| win a| Hogwood, Christopher d| 1941-2014 1| http://www.wikidata.org/entity/Q435198 9| 18287
942
  
  
c| SCO
920
  
  
a| partituur
852
  
  
b| ORPH c| ORPH j| ORPH.SCO MUFF
999
  
  
d| 21459
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