a| 9780262045193

a| eng

a| Sofer, Danielle 4| aut 9| 27041

a| Sex Sounds: b| Vectors of Difference in Electronic Music

a| Cambridge, Massachusetts b| MIT Press c| 2022

a| lii, 374 pages b| illustrations, music

a| Includes bibliographical references and index.

a| Introduction -- Part I: Electroacoustics of the Feminized Voice. Schaeffer and Henry's "Erotica" (1950-51) ; Annea Lockwood's Tiger Balm (1970) ; Luc Ferrari's Les Danses Organiques (1973) and Presque Rien avec Filles, For Dancer and Memorized Sound (1989) ; Robert Normandeau's Jeu De Langues (2009) ; Juliana Hodkinson's and Niels Ronsholdt's Fish and Fowl (2011-12) -- Part II. Electrosexual Disturbance. Donna Summer's "Love to Love You, Baby" (1975) ; Alice Shield's Apocalypse (1990-94) ; Annie Sprinkle's Sluts and Goddesses Video Workshop, Sound Score by Pauline Oliveros (1992) ; Barry Truax's Song of Songs (1992) ; TLC's "I'm Good at Being Bad" (1999) ; Janelle Monae's "It's Code" (2013) ; The Wobble Warp : Theesatisfaction's "Enchantruss" (2012), Janelle Monaes and Esperanza Spalding's "Dorothy Dandridge Eyes" (2013), and Stas thee Boss's "Before Anyone Else" (2017) - Conclusion.

a| "Music and sexuality seem to have been linked together since someone first beat out a rhythm on a drum. Making Sex Sound explores the intersection in the mid-20th century onward"-- c| Provided by publisher.

a| Electronic music

a| Music history 1| http://www.wikidata.org/entity/Q846047 9| 21373

a| Cultural history 1| http://www.wikidata.org/entity/Q858517 9| 22395

c| BOO

a| boek

b| ORPH c| ORPH j| ORPH.GEN21

d| 21798