MARC Record
Leader
    
        
          001
        
        
          22079
        
      
    
        
          008
        
        
          110614s2008    gw g|||||    ||||| |ger|c
        
      
    
        
          020
        
        
                    
        
                    
      
      
        a| 9783878779827
      
    
        
          041
        
        
                    
        
                    
      
      
        a| ger
      
    
        
          100
        
        
                    
      
      
          1        
        
        a| Mast, Christine
        4| aut
        9| 27472
      
    
        
          245
        
        
      
          1        
        
          0        
      
        a| Io, Prometeo:
        b| zum Entwurf konkreter Subjektivitat in Luigi Nonos "Tragedia dell' ascolto" Prometeo
      
    
        
          260
        
        
                    
        
                    
      
      
        a| Frankfurt am Main
        b| Stroemfeld
        c| 2008
      
    
        
          300
        
        
                    
        
                    
      
      
        a| 215 pages
        b| illustrations
        c| 28 cm
      
    
        
          520
        
        
                    
        
                    
      
      
        a| With Prometheus, Luigi Nono (1924-90) and his librettist Massimo Cacciari chose a figure from ancient mythology as the protagonist of their tragedy Prometeo, a figure who has come to symbolise belief in progress, unconditional love of mankind and hubris at the same time. At the same time, this work culminated what had determined Luigi Nono's compositional thinking from 1980 onwards: extreme and previously unheard-of sound designs, spatial-sound movements and musical development processes.While his oeuvre up to 1977 had cemented Nono's reputation as a 'committed' composer who reacted directly to political events, the ostensibly timeless theme of Prometeo sparked irritation. However, bearing in mind the fact that the political is first concretised in its smallest unit, the ego, and in how this ego relates to a supposedly overpowering, fateful entity, the score of Prometeo is read here as the story of the emergence of subjectivity, that of the protagonist. He proves to be ambivalent, located in the field of tension between solipsism, redemptive utopia and deconstruction.
      
    
        
          600
        
        
                    
        
      
          0        
      
        a| Nono, Luigi
        d| 1924-1990
        1| http://www.wikidata.org/entity/Q160451
        9| 17010
      
    
        
          650
        
        
                    
        
      
          0        
      
        a| Tragedy
        1| http://www.wikidata.org/entity/Q80930
        9| 24998
      
    
        
          650
        
        
                    
        
      
          0        
      
        a| Mythology
        1| http://www.wikidata.org/entity/Q9134
        9| 21600
      
    
        
          650
        
        
                    
        
      
          0        
      
        a| Music philosophy and esthetics
        1| http://www.wikidata.org/entity/Q2092865
        9| 21165
      
    
        
          942
        
        
                    
        
                    
      
      
        c| BOO
      
    
        
          920
        
        
                    
        
                    
      
      
        a| boek
      
    
        
          852
        
        
                    
        
                    
      
      
        b| ORPH
        c| ORPH
        j| ORPH.BIO NONO e
      
    
        
          999
        
        
                    
        
                    
      
      
        d| 22079