Karl Böhm’s 1939 Recordings of the Beethoven Piano Concertos op. 37, op. 58, and op. 73 - Pare, Arabella (Munich Edition Text+Kritik, 2025)
An interpretational analysis of performance practices and artistic/aesthetic choices in the context of three early recordings of the Beethoven piano concertos Op. 37, Op. 58, and Op. 73. This paper investigates the context of the recordings, the relationship between Karm Böhm and the Sächsische Staatskapelle, and the interaction of the former two acteurs with the three soloists Lubka Kolessa, Walther Gieseking, and Edwin Fischer.
FRIS
Editorial review
Keywords: Fragment: Accordances - Enactments