Manuductio ad organum. Das ist: Gründlich- und sichere Handleitung, Durch die höchst-nothwendige Solmisation zu der Edlen Schlag-Kunst.
- Type:
- boek
- Titel:
- Manuductio ad organum. Das ist: Gründlich- und sichere Handleitung, Durch die höchst-nothwendige Solmisation zu der Edlen Schlag-Kunst.
- Jaar:
- 1704
- URL:
- https://daten.digitale-sammlungen.de/~db/0000/bsb00004153/images/ Bavarian State Library
https://imslp.org/wiki/Manuductio_ad_organum_(Samber%2C_Johann_Baptist) International Music Score Library Project
https://www.loc.gov/item/05007974/ Library of Congress - Onderwerp:
- 18th Century (1701-1800)
Method
Music theory
Organ
Solmization
Basso continuo
Salzburg (Austria)
?-stemmig bc
a =
Biber, H.F. v
basso continuo
emoties
fermate
solmisatie
sub/semitoetsen
Gaffurius, F
temperatuur
tempo
transponeren
triller_vingerzetting
tritonus
handhouding
Viadana, L
vingerzetting
kerktoonsoorten
klavieromvang
kwint/oktaafparallellen
majeurterts in mineurstuk
mensuurtekens
mordent
basso continuo als partituur
bovensecundetriller
Buliowski de Dulicz, M
Herbst, J.A
hexachordmutatie
Ornitoparchus, A
Piechtelei, M.S
plus en andere tekens in bc
Scheyrer, B
teken ? =
Thnott, J
Thürschner, R.A
vivace - Taal:
- Duits
- Uitgever:
- Salzburg Mayr 1704
- Plaatsnummer:
- ORPH.KTS1 C1.46 04C06c (Orpheus Instituut)
- Paginering:
- [xvi]-177-[6] pages 42 Plates, musical examples, oblong
- Editie:
- 1st ed.
- Nota:
- The personality and work of the Austrian cathedral organist from the archdiocese of Salzburg, music theorist and court musician Johann Baptist Samber, have so far been little researched. His writings offer information on performance practice, organ music or organ building, basso continuo, counterpoint, musical rhetoric and solmisation.
Samber, who describes himself as a pupil of Andreas Hofer and Georg Muffat, wrote three important works on composition: the "Manuductio ad organum" (1704), a "Hand-Leitung zum Orgl-Schlagen", its sequel, the "Continuatio ad manuductionem organicam" (1707)and the "Elucidatio musicae choralis" (1710).It is characteristic of the first two works that Samber's instrumental and compositional instruction is based almost exclusively on the basso continuo and the traditional voice leading rules. Significant are his careful and detailed descriptions and remarks on German fugue compositions of the late 17th century.Samber's third work, the "Elucidatio musicae choralis", teaches the basics for the performance of Gregorian chant. This choral teaching is aimed primarily at the next generation of clerics and aspiring organists and "regentes chori".
"Continuatio ad Maniductionem organicam" see 04C06a - Permalink:
- https://www.cageweb.be/catalog/orp01:000000727