La scuola della musica
- Type:
- boek
- Titel:
- La scuola della musica
- Jaar:
- 1800
- URL:
- https://imslp.org/wiki/La_Scuola_della_Musica_(Gervasoni%2C_Carlo) International Music Score Library Project
- Onderwerp:
- 18th Century (1701-1800)
Music theory
Music education
Sonata
Modulation
Italy
?-stemmig basso continuo
a =
acciaccatura
ademhalen
altviool
appoggiatura
appoggiatura op de slag
appoggiatura voor de slag
arpeggio
artikulatie
basso continuo
basso fondamentale
Benevoli, O
cadens
cello
muziek in oudheid
contrabas
contradans
contrapunt
orgel in eredienst
orgelregistratie
orgelspel
oude muziek vroeger
diminuties en basso continuo
pastorale
pianoforte
dwarsfluit
dynamiek
dynamiek en basso continuo
echoeffekt
emoties
portamento
fagot
falset
fermate
sonata
streektechniek
syncope
tekstuitspraak
tekstuitspraak
temperatuur
tempo
transponeren
trillers
trillers etc
trillervingerzetting
triolen
trompet
Vicentino, N
hobo
hoboriet
viool
vrijheid in recitatief
zangkunst
klarinet
klavecimbel in 19e eeuw
klavecimbel in Middeleeuwen
zuiverheid
recitatief
kort oktaaf
rondo
kwint/oktaafparallellen
serpentone
majeurterts in mineurstuk
slagwerk
mars
meerkorigheid
menuet
messa di voce
mordent
artikulatielettergrepen
basso continuo_akkoordspel op cello
duim op boventoets
engelse hoorn
Gervasoni, C._portret
gesticuleren
handhouding
hoorn
incavalatura
orgel/klavecimbelspel
Serassi
spiccato
vingerzetting - Taal:
- Italiaans
- Uitgever:
- Piacenza Orcese 1800
- Plaatsnummer:
- ORPH.KTS1 C2.19 08B22 (Orpheus Instituut)ORPH.KTS1 C2.19 08B23b (Orpheus Instituut)
- Paginering:
- 2 vols. (552-[2]+100 pages)
- Samenvatting:
- Gervasoni studied every form of song, instrument, and related work available, and found there was not enough written for musicians of the day. This inspired him to write about music in a way that was accessible to anyone. After ten years of hard work he published 'The school of music' in 1800, an important treatise which was, however, harshly criticized by contemporaries for the excessive simplification of some concepts and the practice of contrapuntal composition on new melodies rather than on ancient melodies of the cantus firmus. Gervasoni's treatise of 1800 is particularly important because it defines fundamental guidelines for modulations in the sonata form, defined later only from 1816 by Reicha and subsequently by Carl Czerny.
- Nota:
- Carlo Gervasoni was an Italian organist, violinist and composer, as well as a harpsichordist, philosopher and music theorist who is best known for this treatise as well as his 'Nuova teoria di musica ricavata dall'odierna pratica' (1812; see 04G21), which helped lay the foundations for sonata form theory.
The music examples are bound in with the 'Carteggio musicale' (08B23)
The title page contains a portrait of the author - Permalink:
- https://www.cageweb.be/catalog/orp01:000001830